![]() ![]() The opening of Winter is a good litmus test since this seems to vary the most between performances. I suggest you sample each of the above if you can and see what you like the best. For me the recording with Iona Brown and the Academy of St Martin-in-the-Fields under Neville Marriner is a classic. The ensemble I Musici recorded The Four Seasons several times, the debut recording in 1955 with Felix Ayo a 1959 recording featuring Ayo again and subsequent recordings featuring Roberto Michelucci (1969), Pina Carmirelli (1982), Federico Agostini (1990), and Mariana Srbu (1995). Most people have a favourite that falls somewhere between these extremes. All too often, massive sales are gained through inoffensive blandness or cross-over compromises, but not here. 180g Audiophile Direct to Disc LP A dynamic performance, pure analog delight Vivaldis best know work, The Four Seasons is given new life in this. ![]() A good example of this is Itzhak Perlman and the London Philharmonic Orchestra or Anne-Sophie Mutter (violin) and the Vienna Philharmonic under Herbert von Karajan. Whether a contributor to or reflection of the surging interest in Vivaldi, the 1989 CD by Nigel Kennedy and the English Chamber Orchestra (EMI) reportedly is the best-selling classical recording of all time. Performances that are skeptical of the above approach and are quite happy to hear the music played with a modern orchestra and more nineteenth century approach to performance style. What is your favorite recording of Vivaldi's Four Seasons on Spotify I've been looking for a nice version but there are so many and I'm having trouble finding a really good one. A dynamic performance, a pure analog delight Vivaldis best-known work, The Four Seasons, is given new life in this Audiophile Direct to Disc recording from. Audiences will enjoy more than twenty-five excerpts from Vivaldis most popular and important works, including the Four Seasons, the Violin Concerto in A minor. Good examples of this are Rachel Podger (violin) with Brecon Baroque or Adrian Chandler (violin) with La Serenissima Performances that take into account the musicological research that has taken place over the past 50 years and aim to play the work as Vivaldi intended. ![]()
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